Murals, Communism, Freemasonry and Prometheus|
Compiled by Henrik Palmgren
This little section was really triggerd when looking at some of the Murals by Diego Rivera
I'll try to outline it as good I can... hope you follow me :-)
The reason I like to look at murals is because they are often very expressive and ritualistic and in their symbolism. Murals are often placed in very high traffic public places, where they can impact as many people as possible, there are always interesting details to look at.
As a correlating example look at the Murals (and art) at Denver airport | 2
To get the full impact of this strange little connection it's recommended that you have the some foreknowledge of the connections between freemasonry and communism.
If you're not, read these: The Red Dragon and the Black Beast, Communism and Freemasonry
The Jesuits, Freemasonry, Communism & The Rothschilds
Lucifer and the Cult of Freedom
(Above articles are a little "stern" on the whole christian "Evil/dEvil - GoOd/God" concept, but they still point to alot of interesting facts.)
Diego Rivera's "Man at the Crossroads"
By 1930, Mexican muralist Diego Rivera has gained international favor for his lush and passionate murals. Inspired by Communist ideals and an intense devotion to his cultural heritage, Rivera creates boldly hued masterpieces of public art that adorn the municipal buildings of Mexico City. His outgoing personality puts him at the center of a circle of left-wing painters and poets, and his talent attracts wealthy patrons, including Abby Aldrich Rockefeller. In 1932, she convinces her husband, John D. Rockefeller, Jr., to commission a Rivera mural for the lobby of the soon-to-be-completed Rockefeller Center in New York City.
Flush from successes in San Francisco and Detroit, Rivera proposes a 63-foot-long portrait of workers facing symbolic crossroads of industry, science, socialism, and capitalism. The painter believes that his friendship with the Rockefeller family will allow him to insert an unapproved representation of Soviet leader Vladimir Lenin into a section portraying a May Day parade. The real decision-making power lies with the Center's building managers, who abhor Rivera's propagandistic approach. Horrified by newspaper articles attacking the mural's anti-capitalist ideology, they order Rivera to remove the offending image. When Rivera refuses, offering to balance the work with a portrait of Abraham Lincoln on the opposing side, the managers pay his full fee, bar him from the site, and hide the mural behind a massive drape. Despite negotiations to transfer the work to the Museum of Modern Art and demonstrations by Rivera supporters, near midnight, on February 10th, 1934, Rockefeller Center workmen, carrying axes, demolish the mural. Later, Rivera recreates the frescoes in the Palace of Fine Arts in Mexico City, adding a portrait of John D. Rockefeller, Jr., in a nightclub. Rivera never works in the United States again, but continues to be active, both politically and artistically, until his death in 1957.
His surviving murals, such as The Detroit Industry Murals, installed in the Detroit Institute of Arts, are treasured as 20th century masterpieces. Rivera's work is also in the collection of New York's Museum of Modern Art, co-founded by Abby Aldrich Rockefeller.
Follow this link for more detailed pictures: http://www.fbuch.com/crossroa.htm
Diego Rivera's "Man, Controller of the Universe"
The Mural in Mexico City also portraits Lenin (Red ring). Trotsky is seen to the right. (Yellow ring). I don't know who the bald man with white beard is, Charles Darwin? (Green ring). On the right side are the workers and the people. On the left are the military, establishment and "God?" (Blue ring). On the opposite side with Lenin and Trotsky is a statue with no head (Purple ring). The White oval indicates the reversed/mirrored crops.
Is this freemasonic symbolism? It looks like a depiction of the "Opposing Forces" that in the end are the same force? Is this a depiction of man's uprising against God (Lucifers uprising)? Is this a visual of "Manipulated polarity" aŽla Hegelian Dialectics (Problem-Reaction-Solution)? Illumination thru science?
Follow this link for more detailed pictures: http://www.fbuch.com/controll.htm
Was Diego Rivera's Lenin in the Rockefeller Center the Reappearance of his Russian Buddy?
Follow the links: Who is it above? | Lenin? | Closeup on portrait | What does 122 mean?
More on Diego Rivera
Prometheus and Communism
"A recurrent mythic model for revolutionaries -early romantics, the young Marx, the Russians of Lenin's time-was Prometheus, who stole fire from the gods for the use of mankind. The Promethean faith of revolutionaries resembled in many respects the general modem belief that science would lead men out of darkness into light. But there was also the more pointed millennial assumption that, on the new day that was dawning, the sun would never set. Early during the French upheaval was born a "solar myth of the revolution," suggesting that the sun was rising on a new era in which darkness would vanish forever. This image became implanted "at a level of consciousness that simultaneously interpreted something real and produced a new reality."
The new reality they sought was radically secular and stridently simple. The ideal was not the balanced complexity of the new American federation, but the occult simplicity of its great seal: an all-seeing eye atop a pyramid over the words Novus Ordo Seclorum.
In her book, Secret Societies and Subversive Movements, Nesta H.Webster on page 325-326 was told while interviewing a member of a very powerful secret society in England the following....
" I have been convinced that we, as an Order, have come under the power of some very evil occult Order, profoundly versed in science both occult and otherwise, though not infallible, their methods being BLACK MAGIC , that is to say, electro-magnetic power, hypnotism and powerful suggestion.
We are convicesd that the (our) Order is being controlled by some...
Sun Order after the nature of the Illuminati, if not by that Order itself."
Rockefeller Center in New York City is a virtual shrine to Prometheus
Prometheus was a son of Iapetus by Clymene (one of the Oceanids). He was a brother of Atlas, Menoetius, and Epimetheus. He surpassed all in cunning and deceit. He held no awe for the gods, and he ridiculed Zeus and Zeus's lack of insight. Prometheus was the creator of man. When he and Epimetheus (hindsight) set out to make creatures to populate the earth under the orders of Zeus, Epimetheus went with quantity and made many creatures, endowing them with many gifts that were alloted to the brother for that purpose (fur, claws, wings, and fins were some of these gifts). While his brother was making creatures, Prometheus was carefully crafting a creature after the shape of the gods. It was a human. However, Prometheus took so long in crafting his masterpiece that when he was finished, Epimetheus had already used up all the gifts from Zeus. Prometheus was sorry for his creations, and watched as they shivered in the cold winter nights. He decided to steal fire from the gods. He climbed Olympus and stole fire from the chariot of Helios (or, in later mythology, Apollo).
...Zeus was further enraged by Prometheus's escape and had Prometheus carried to mount Caucasus, where a vulture or an eagle named Ethon (offspring of the monsters Typhon and Echidna) would eat out his liver; it would grow back each day and the eagle would eat it again. This punishment was to last 30,000 years.
...Rockefeller Center in New York City is a virtual shrine to Prometheus. His golden statue stands at the head of the central fountain, with lines from Aeschylus inscribed below.
...The cloned horse Prometea and Prometheus, a moon of Saturn, are named after this Titan, as is the asteroid 1809 Prometheus. The story of Prometheus has inspired many authors through the ages, and the Romantics saw Prometheus as a prototype of the natural daemon or genius.
Is Prometheus the same as, or a pseudonym for Lucifer? There are claims that Lucifer is the "creator" of man? The king of Matter. The highest grand master mason?
Regarding the Rockefellers. I guess I don't have to inform you about their influence on America (and the world). ok I'll do some: David Rockefeller is the founder of the Trilateral Commission.
When the myth surrounding Freemasonry goes "pop"
"Nothing excites men's curiosity so much as Mystery, concealing things which they desire to know; and nothing so much increases curiosity as obstacles that interpose to prevent them from indulging in the gratification of their desires. Of this the Legislators and Hierophants took advantage, to attract the people to their sanctuaries, and to induce them to seek to obtain lessons from which they would perhaps have turned away with indifference if they had been pressed upon them."
- Albert Pike, Morals and Dogma
Midnight interrogation with Christian Rakovsky Jan. 26, 1938:
What could Rakovsky possibly say to save his life?
Rakovsky appears to use the tactic of "deceiving with the truth." He wins trust by revealing the truth but leaves some of it out. He tries to impress his interrogator that he and Trotsky represent an invincible power he calls the "Capitalist-Communist Financial International."
He confirms that the "revolutionary movement" was designed to enlist support by pretending to serve mankind's moral and collective ideals. The real aim however is to divide society, undermine established authority and create totalitarian rule.
"Revolution" really means, "overturning" Western civilization.
"Christianity is our only real enemy since all the political and economic phenomena of the bourgeois states are only its consequences," Rakovsky says. (Griffin, p. 264)
Peace is "counter-revolutionary" since it is war that paves the way for revolution.
Rakovsky refers to the Illuminati as "they" or "them." He claims he does not know them but I suspect he does.
He explains that the "Illuminati" is a Masonic secret society dedicated to Communism. Significantly, its founder Adam Weishaupt took the name from "the second anti-Christian conspiracy of that era, gnosticism." (249)
From: Rothschilds Conduct "Red Symphony"
Freemasons "have to die at the hands of the revolution which has been brought about with their cooperation," according to C.G. Rakovsky, a founder of the Communist International.
"The real secret of masonry is the suicide of Freemasonry as an organization, and the physical suicide of every important mason."
"It is clear that I know of this not as a Freemason, but as one who belongs to 'Them,'" [the Illuminati] says Rakovsky, a colleague of Leon Trotsky arrested for plotting against Stalin.
"Gentile masonry blindly serves as a screen for us and our objects, but the plan of action of our force, even its very abiding place, remains for the whole people an unknown mystery.... Who and what is in a position to overthrow an invisible force?" (Protocol 4)
Again he writes, "we shall create and multiply free Masonic lodges... absorb into them all who may become or who are prominent in public activity, for in these lodges we shall find our principle intelligence office and means of influence.... The most secret political plots will be known to us and will fall under our guiding hands...We know the final goal...whereas the goyim have knowledge of nothing..." (Protocol 15)
From: Terminated! Freemasonry's Final Revelation The Red Symphony Part 2
The (comming) Pan-American Union
Hope you follow me this far.
Diego Rivera. He was born in 1886 in the Mexican silver mining town of Guanajuato. His father, a freemason with a 'liberal' background, was a teacher at the time of Diego's birth and later became a school inspector. Ref.
Now here's the tricky part
Did Diego Rivera predict or know something about the plans about a (comming) pan-American Union? The Rockefeller's are currently sponsoring the USA- Mexico open borders
Epic of the Mexican People - Mexico Today and Tomorrow, 1934-35, Palacio Nacional, Mexico City
More detailed pictures: http://www.fbuch.com/murals.htm
Does the above mural depict a Mexican "invasion" the United States? To me it looks like Karl Marx Pointing towards America, as in: "Go get it, take it, invade it"? (an illuminati plot?)
Below, more murals by Diego. Have a look.
Pan-American Unity, 1940, 2/10 transportable panels
Is that smoke rising between the buildings (9-11?). What are the people looking at?