Islam’s Medieval Underworld
2013-07-27 0:00

By Mike Dash | Past Imperfect



The year is—let us say—1170, and you are the leader of a city watch in medieval Persia. Patrolling the dangerous alleyways in the small hours of the morning, you and your men chance upon two or three shady-looking characters loitering outside the home of a wealthy merchant. Suspecting that you have stumbled across a gang of housebreakers, you order them searched. From various hidden pockets in the suspects’ robes, your men produce a candle, a crowbar, stale bread, an iron spike, a drill, a bag of sand—and a live tortoise.

The reptile is, of course, the clincher. There are a hundred and one reasons why an honest man might be carrying a crowbar and a drill at three in the morning, but only a gang of experienced burglars would be abroad at such an hour equipped with a tortoise. It was a vital tool in the Persian criminals’ armory, used—after the iron spike had made a breach in a victim’s dried-mud wall—to explore the property’s interior.

We know this improbable bit of information because burglars were members of a loose fraternity of rogues, vagabonds, wandering poets and outright criminals who made up Islam’s medieval underworld. This broad group was known collectively as the Banu Sasan, and for half a dozen centuries its members might be encountered anywhere from Umayyad Spain to the Chinese border. Possessing their own tactics, tricks and slang, the Banu Sasan comprised a hidden counterpoint to the surface glories of Islam’s golden age. They were also celebrated as the subjects of a scattering of little-known but fascinating manuscripts that chronicled their lives, morals and methods.


An Arab city of the early medieval period. Urban centers in the Middle East were of a size and wealth all but unknown in the Christian west during this period, encouraging the development of a large and diverse fraternity of criminals. From a contemporary manuscript.


According to Clifford Bosworth, a British historian who has made a special study of the Banu Sasan, this motley collection of burglars’ tools had some very precise uses:
The thieves who work by tunneling into houses and by murderous assaults are much tougher eggs, quite ready to kill or be killed in the course of their criminal activities. They necessarily use quite complex equipment… [The iron spike and an iron hand with claws] are used for the work of breaking through walls, and the crowbar for forcing open doors; then, once a breach is made, the burglar pokes a stick with a cloth on the end into the hole, because if he pokes his own head through the gap, [it] might well be the target for the staff, club or sword of the houseowner lurking on the other side.

The tortoise is employed thus. The burglar has with him a flint-stone and a candle about as big as a little finger. He lights the candle and sticks it on the tortoise’s back. The tortoise is then introduced through the breach into the house, and it crawls slowly around, thereby illuminating the house and its contents. The bag of sand is used by the burglar when he has made his breach in the wall. From this bag, he throws out handfuls of sand at intervals, and if no-one stirs within the house, he then enters it and steals from it; apparently the object of the sand is either to waken anyone within the house when it is thrown down, or else to make a tell-tale crushing noise should any of the occupants stir within it.

[...]

Read the full article at: smithsonianmag.com



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The Mediaeval Islamic Underworld: The Banu Sasan in Arabic Society and Literature


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