In the 1950s and 60s inventor Dennis Gabor discovered that when you photograph objects with a split light beam and store the information as wave interference patterns, you get a better image than with ordinary point-to-point intensity photographs. Not only is the captured image clearer, but it is completely three dimensional.
“In a classic laser hologram, a laser beam is split. One portion is reflected off an object – a china teacup, say – the other is reflected by several mirrors. They are then reunited and captured on a piece of photographic film. The result on the plate – which represents the interference pattern of these waves – resembles nothing more than a set of squiggles or concentric circles. However, when you shine a light beam from the same kind of laser through the film, what you see is a fully realized, incredibly detailed, three-dimensional virtual image of the china teacup floating in space (an example of this is the image of Princess Leia which gets generated by R2D2 in the first movie of the Star Wars series).”
-Lynne McTaggart, “The Field: The Quest for the Secret Force of the Universe,” (83)
“A hologram is produced when a single laser light is split into two separate beams. The first beam is bounced off the object to be photographed. Then the second beam is allowed to collide with the reflected light of the first. When this happens they create an interference pattern which is then recorded on a piece of film … as soon as another laser beam is shined through the film, a three-dimensional image of the original object reappears. The three-dimensionality of such images is often eerily convincing. You can actually walk around a holographic projection and view it from different angles as you would a real object. However, if you reach out and try to touch it, your hand will waft right through it and you will discover there is really nothing there.”
-Michael Talbot, “The Holographic Universe” (14-15)
The three-dimensionality of holographic images is not their only amazing attribute. In holograms, all parts are reflected in the whole and the whole is reflected in all parts, so if you chop a piece of holographic film into tiny bits then shine a laser onto any of them, no matter how small, you will still get a complete image.
“Back in the 1980s, a series of bookmarks appeared on the market using holographic technology. Each one was made of a shiny strip of silver paper that looked like glossy aluminum foil at first glance. When the paper was held directly under a bright light and tilted back and forth, however … Suddenly, the images in the foil looked as though they’d come to life and were hovering in the air just above the paper itself … If you have one of these bookmarks, you can do an experiment to demonstrate for yourself just how a hologram works … use a sharp pair of scissors to cut your beautiful, shiny bookmark into hundreds of pieces of any shape. Then, take the smallest of the fragments and cut it again into an even tinier piece. If the bookmark is truly a hologram, you’ll be able to look at your tiny speck of a bookmark under a magnifying glass and still see the entire image, only on a smaller scale. The reason why is that it exists everywhere throughout the bookmark.”
-Gregg Braden, “The Divine Matrix” (104-5)
The “physical” world around us behaves much like a hologram. Just like a piece of holographic film, all quanta exist as interfering wave patterns. In and of themselves, these interference waves have no “solidity” – no definite properties or location – just like the squiggles/circles on holographic film. The image is distributed throughout the entire film, just as quanta are distributed throughout the entire universe. Then when a laser beam (the light of consciousness) is directed at those interference waves, seemingly solid particles (three dimensional images) appear before our eyes. One of the first physicists to consider this “cosmic hologram” metaphor was David Bohm who defined the universe as an “undivided wholeness in flowing motion” which he termed the “holomovement.”
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